1964 Fender Pro Vintage Blackface Pre-CBS Tube Amp 1×15 w/ JBL D130F

1964 Fender Pro Vintage Blackface Pre-CBS Tube Amp 1×15 w/ JBL D130F

Discussion in ‘ Speakers ‘ started by -reverb- , Feb 7, Log in or Sign up. Messages: 2, Location: Middle GA. Hey all. Did my due diligence of looking things up out there on them Interwebs but still have a question or two. Never seen a speaker like that. They ohm-out at around 6.

15 jbl d130f dating More efficient and has stronger; Dating your fender amp

Mar 14, 1. Mar 8, Bklyn N. I just inherited a Sunn Coliseum Lead and 2×15 cab.

The resulting JBL F Series musical instrument loudspeakers included the DF inch, DF inch, DF inch and DF inch.

Up for sale, a Fender Pro in exceptional condition and in perfect working order. With a production run not to mention model specs, cabinet size, and speaker compliment similar to the Vibroverb, the Pro was only offered by Fender from very late An ideal amp for crystalline Fender cleans and the sparkling, smooth response for which the Blackface era amps are known, this Pro delivers an extremely efficient and powerful sound, perfect for guitar or pedal steel and an ideal candidate for a Rhodes piano too.

Tube rectified and notably responsive to your picking dynamics, this JBL DF-equipped Pro offers a very articulate top end and incredible efficiency and projection, allowing the Pro to easily keep up with a band. The circuit is extremely stock, with a virtually untouched preamp and full recap of the power supply with high quality Sprague Atoms. All of the original blue molded Ajax tone caps are intact in the preamp too, an essential part of the sweet and musical quality of the Blackface amps.

The Schumacher transformers are all original, dating to early , and the original CTS pots and chassis stamp date to ’64 as well. The original faceplate is extremely clean, with stock witch hat knobs and the “Fender Electric Instruments” text used in the Pre-CBS era. Inside the cabinet, the original tube chart is fully intact and only lightly aged, with an “NE” date stamp which translates to May of The JBL speaker is likely an aftermarket upgrade, but a speaker Fender did offer in this era in their Vibroverb and Showman amps.

How to date vintage fender amps

Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica. Mic is not responsible for the content, just the collection. Hi Tremolux, I like it more than the V As you mentioned, GT uses it, so you may be able to get a listen. Not sure if it’s really a keyboard speaker, as it’s got all the trademark Celestion bumps and rolloffs. That may have been started due to the ‘K’ terminology.

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This seller has not set a shipping cost for Russian Federation. Please contact them to ask about shipping. Designed specifically for Fender amps by JBL, the DF is considered to be one of the best instrument speakers ever produced. Both speakers feature the original cones and are in amazing cosmetic condition. These speakers have been tested. They are fully functional and sound great. Change shipping region. Listing Ended. If you watch the listing, we’ll notify you if it becomes available again.

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Loud and Clear: The Story of JBL & Fender

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Username or Email. Password I forgot my username or password. Keep me signed in. Clear the check box if you’re on a shared computer. Please enter your username, and you will recieve a new password for your account. Send me a new password. Recover Cancel. Individual Company. All Fender amplifiers manufactured from — present include a date code printed on the quality assurance QA sticker on the back of the amp chassis, and are dated the by the first letter as the year and the second letter as the month.

In almost every Fender amplifier there are several EIA manufacturer codes followed by a date code, typically found on the speaker s , transformer s , tubes, caps, and occasionally pots. The EIA code will consist of 3 numbers followed by a date code of 3 or 4 numbers designating the year and the week.

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Vintage Pair Fender JBL D130F 15″ Guitar/Bass Speakers Consecutive Serial #s

Disconnect the speakers from the power supply and connections before proceeding. Carefully turn the speakers around so that the back of the speaker is facing you. Find the manufacturer date code.

Amplificador De Tubo 1×15 con JBL DF at the best online prices at eBay! dating to early , and the original CTS pots and chassis stamp date to ‘

The Code on the tube chart of your Fender Amp is made up of two letters. The First letter equates to the Year and the Second letter to the Month. Reissue amps also use stamped Date Codes. Examples of “Hand Stamped” Date Codes. The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker.

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Read the current issue of VG. Often, the lack of prolificity had little to do with their theoretical success as designs and more to do with timing, a slight misjudgment of the market, or both. Such is the case with the brownface Vibrasonic. All that aside, though, it was hugely historic, and is still an extremely desirable combo as it stood three years later in the 6GA format.

The new covering and forward-mounted controls might be its most talked-about design features, but the Vibrasonic was also the first Fender amp with solidstate diode rectification, the first with a JBL speaker as standard equipment, and the first Fender above 20 watts with built-in tremolo. Its schematic was identical to that of the Concert, Pro, and Super of the era; the Concert, Twin, and Vibrasonic used the same robust power transformer, while the Twin and Vibrasonic had the same output transformer the change of speaker load from four ohms in the Twin to eight ohms in the Vibrasonic ably compensated for the move from four output tubes to two, respectively.

That said, Fender certainly sold a lot more Pros, so make of that what you will. With the revision to the 6GA circuit, however, Fender added yet another 12AX7 of which it used only half , introducing a cathode-follower stage to a somewhat altered rendition of the effect, which now required a full two and a half tubes to get the job done.

Plz help w/new Sunn cab…

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